This Hallowe’en weekend, step into a world where Japanese legends and Irish culture unite: Kwaidan.
This unique event, which will have its world premiere in October at Expo 2025 in Osaka, Japan, brings four of Lafcadio Hearn’s beloved ghost stories to life with a specially-commissioned new live score, composed by Matthew Nolan.
A household name and cultural icon in Japan, Lafcadio Hearn was an Irish-Greek writer, translator and teacher who introduced the culture and literature of Japan to the Western world. Kwaidan, directed by Masaki Kobayashi, is one of the most visually-striking films in Japanese cinema, taking Hearn’s timeless stories and transforming them into dreamlike visions. Renowned globally for its atmospheric beauty, artistry, and poetic spirit, the film was nominated for the Academy Award for Best Foreign Language Film (1965) and won the Special Jury Prize at Cannes Film Festival.
This Irish premiere of Kwaidan will be accompanied by a haunting live score, performed live by renowned musicians Matthew Nolan and Seán Mac Erlaine, accompanied by Japanese artist Tomoko Sauvage’s mesmerising, water-based sound worlds. Acclaimed actor Conor Lovett (Gare St. Lazare Ireland) will perform a traditional Japanese Benshi-style, English-language narration, directed by Judy Hegarty Lovett (Gare St. Lazare Ireland), adding dramatic and visual depth to the eeriness on screen.
This cross-cultural collaboration is a dialogue between Japan and Ireland and a bridge between the ancient and the new, the living and the dead.
Kwaidan will premiere in Osaka, Japan in early October as part of Dublin City Council Bram Stoker Festival’s programme of events celebrating Hallowe’en at Expo 2025.
Supported by the Department of Foreign Affairs and Trade and Dublin City Council.
Matthew Nolan is a Dublin-based musician, composer, academic and curator. Since 2015, he has produced new work in collaboration with some of the finest musicians around, both Irish and international. They include Adrian Crowley, Seán Mac Erlaine, Lisa Hannigan, Ernst Reijseger, Rachel Grimes, Chris Brokaw, Erik Friedlander, Stephen Shannon, Kevin Murphy, Jan Bang, Eivind Aarset, Barry Adamson and many, many more.
Seán Mac Erlaine is a Dublin-based woodwind instrumentalist, composer and music producer, recognised as one of Ireland’s most forward-thinking creative musicians. Seán’s works intersects folk, free improvisation, jazz and traditional music. An accomplished saxophonist and clarinetist, Seán holds a PhD in music (practice-led research around customised live electronics in solo woodwind performance), a first degree honours Masters of Music (Jazz Performance) and a Diploma in Jazz Performance awarded by The Guildhall School of Music, London. Fascinated by performance and movement, he is also a qualified, practicing teacher of the Alexander Technique in Dublin.
Tomoko Sauvage is a Paris-based Japanese composer and artist who is best known for her long-time musical and performance practice on her original instrumentarium assembling water, ceramics and electronics. Her work centres around the tactile materiality of vibrant objects and the use of chance as a compositional method. Sauvage has performed at the Barbican Centre, Palais de Tokyo, Maerz Musik, Musée d’art moderne de Paris, Manifesta 13, Roskilde Festival and RIBOCA. Her installation and video works have been shown at Sharjah Art Foundation, Portland Institute for Contemporary Art and Maison Tavel.
Conor Lovett studied theatre at Scoil Stiofain Naofa in Cork prior to attending École Jacques Lecoq in Paris. At the same time he joined Gare St Lazare Players Chicago and, under Bob Meyer’s direction, played Joey in The Homecoming by Pinter, Army in Requiem for A Heavyweight by Rod Surling, Karl in Banana For The Boy King by Bob Meyer and Noses in The Three Legged Fool by Anthony Ryan. He and Judy Hegarty Lovett founded Gare St Lazare Players Ireland in 1996 with their production of Beckett’s Molloy. Their subsequent Beckett work has cemented a reputation that places them among the foremost Beckett interpreters.
Judy Hegarty Lovett is the director of 19 Beckett productions for Gare St Lazare Ireland. Among them; Molloy, Malone Dies, The Unnamable, Lessness, Enough, Worstward Ho, Texts For Nothing, First Love, The End, The Calmative, Ill Seen Ill Said, How It Is, Here All Night, Waiting for Godot and Rockaby. In 2006. she directed all seven of Samuel Beckett’s radio plays in a Gare St Lazare/RTE Radio One co-production to mark the centenary of the writer’s birth. Judy won Best Director at The Irish Times Irish Theatre Awards 2022 for her production of The Realistic Jones by Will Eno and was nominated for Best Director at The Irish Times Irish Theatre Awards (How It Is Part 2) in 2019 and for Best Production (How It Is Part 1) in 2018.
Location | National Concert Hall |
---|---|
Duration | 3hrs 20mins (including 20 min interval) |
Doors | 6.30pm. The bar in the John Field Room will be open from 5:30pm. |
Age Suitability | Film Cert TBC |
Latecomers | Latecomers will be admitted at a suitable break in the performance. |
Accessibility | The ground floor is wheelchair accessible. The top floor is not. Wheelchair seats are available in the Stalls on the ground floor. More info |
National Concert Hall, National Concert Hall, Earlsfort Terrace, Saint Kevin's, Dublin 2, Ireland
The closest Luas stop is located on Harcourt Street.
The closest Dublin Bus stops to the National Concert Hall are:
Stop 1013, Earlsfort Terrace, Southbound – Bus numbers 125, 142, 44, 44D, 845
Stop 7978, Earlsfort Terrace, Southbound – Bus Numbers 40
Stop 6074 – Earlsfort Terrace, Northbound – Bus Numbers 125, 44, 44D
Stop 1045 – Adelaide Road, Westbound – Bus Numbers 142, 44, 44D
Stop 845 – Leeson St Lower, Eastound – Bus Numbers 11, 11B, 37, 700, E2, E1, 118, 46n, 7B, 7d, 904, 9
Stop 786 – Leeson St Lower, Southbound – Bus Numbers 11, 116, 188, 11B, 181, 37, 38, 38A, 38B, 38D, 39, 39A, 39x, 40, 70, 700, 7B, 7D, 845, 904
Pick up and drop off is available on Earlsfort Terrace.
Accessibility Information
Ticketing
The National Concert Hall offers patrons with a disability and their carers a 50% discount on selected Main Stage concerts. Please contact a member of the Box Office Team on +353 (1) 417 0000 if you have any queries on this.
Arrival
Earlsfort Terrace has wide paved pathways with no obstructions. The grounds at the National Concert Hall are flat, with a ramp to the main entrance.
The closest Luas stop is located on Harcourt Street
The closest Dublin Bus stops to the National Concert Hall are:
Stop 1013, Earlsfort Terrace, Southbound – Bus numbers 125, 142, 44, 44D, 845
Stop 7978, Earlsfort Terrace, Southbound – Bus Numbers 40
Stop 6074 – Earlsfort Terrace, Northbound – Bus Numbers 125, 44, 44D
Stop 1045 – Adelaide Road, Westbound – Bus Numbers 142, 44, 44D
Stop 845 – Leeson St Lower, Eastound – Bus Numbers 11, 11B, 37, 700, E2, E1, 118, 46n, 7B, 7d, 904, 9
Stop 786 – Leeson St Lower, Southbound – Bus Numbers 11, 116, 188, 11B, 181, 37, 38, 38A, 38B, 38D, 39, 39A, 39x, 40, 70, 700, 7B, 7D, 845, 904
A number of designated parking spaces are available in the front car park for wheelchair users and those with restricted mobility. A current Disabled Person’s Parking Permit must be displayed on the vehicle.
Pick up and drop off is available on Earlsfort Terrace.
Entry
There are six steps from ground level to the entrance. Railings are provided on these steps and there is a ramp on the left side of the front doors into the lobby. There is a ramp just inside the John Field Room doors to facilitate access to this area.
Space
Once inside, the ground floor is wheelchair accessible, with ramps facilitating access to ground level auditorium seats. There is no lift access to the Main Balcony, Side Balconies or Choir Balcony.
Accessible Bathroom / WC
There are two unisex wheelchair accessible toilets located off the foyer.
Bar
The bar has a height of ___, with the option of soft drinks and alcoholic beverages. Straws are available.
Performance Space
A large stage will host the musicians with a large screen displaying the films behind them, directly in front of the choir balcony.
Seating
Seats are available at the back of the stalls (downstairs) for wheelchair users and their companions. These seats are not available to book online. Please contact a member of the Box Office Team on +353 (1) 417 0000 to book your tickets or you can email info@nch.ie with your contact details and a member of the Box Office Team will be in touch.
Sound
This will be a miced event using the venue’s in house PA system.
Infra Red Assistive Listening System
An Infra Red Assistive Listening System is available for events throughout the Main Stage and in the John Field Room. To avail of this system, please contact the reception desk on the night.
Lighting
Throughout the venue, there will be brighter lights with some darkened areas in the performance space.
Quieter Room
There is no designated quiet space in the National Concert Hall.